ARTICLES, ESSAYS:

"The Jew of Malta in Repertory," in The Jew of Malta: A Critical Guide. ed. Robert A. Logan. Arden Early Modern Guides. Bloomsbury, 2013. 79-105.

"The History Play, Richard II, and Repertorial Commerce," in Richard II: New Critical Essays," ed. Jeremy Lopez. Abingdon, OX: Routledge, 2012. 74-94.

"What's So Special About 1594," Shakespeare Quarterly, 61 (2010): 449-67.

"Lost Plays Database: A Wiki for Lost Plays," with David McInnis. Medieval and Renaissance Drama in England, 24 (2011):46-57.

"The Adult Companies and the Dynamics of Commerce," in Thomas Middleton in Context, ed. Suzanne Gossett. Cambridge: Cambridge University Press, 2011. 168-75.

"Repertory System ," in The Handbook of Shakespeare, ed. Arthur Kinney. Oxford: Oxford University Press, 2011: 400-14.

“What was James Burbage Thinking???” in Thunder at a Playhouse: Essays on Shakespeare and the Early Modern Stage, eds. Peter Kanelos and Matt Kozusko. Selinsgrove, PA: Susquehanna University Press, 2010. 116-30.

“The Start of Something Big,” in Locating the Queen’s Men: Material Practices and Conditions of Playing, 1583-1603, ed. Helen Ostavich et al. Aldershot, Hampshire: Ashgate Publishing Ltd, 2009. 99-108.

“Adult Playing Companies, 1593—1603,” in A Handbook on Early Modern Theatre, ed. Richard Dutton. Oxford University Press, 2009. 56-71.

“Everything’s Back in Play: The Impact of REED Research on Elizabethan Theatre History,” in REED in Review: Essays in Celebration of the First Twenty-Five Years, ed. Audrey Douglas and Sally-Beth MacLean. Toronto: Toronto University Press, 2006. 116-30.

“ What if there wasn’t a ‘Blackfriars Repertory’?” in Inside Shakespeare: Essays on the Blackfriars Stage, ed. Paul Menzer. Selinsgrove: Susquehanna University Press, 2006. 54-60.

“Toe to Toe Across Maid Lane: Repertorial Competition at the Rose and Globe, 1599-1600,” in Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries, ed. June Schlueter and Paul Nelsen. Fairleigh Dickinson University Press, 2005. 21-37.

“ Marlowe, Company Ownership, and the Role of Edward II,” Medieval and Renaissance Drama in England, 18 (2005), 37-46.

“ Theatre Companies and Stages,” in Early Modern English Drama: A Critical Companion, ed. Garrett A. Sullivan, Jr., Patrick Cheney, and Andrew Hadfield. Oxford: Oxford University Press, 2005. 12-22.

"Playwrights at Work," in Cambridge History of British Theatre, vol. 1. Cambridge: Cambridge University Press, 2004. 341-63.

"Marlowe Reruns." In Marlowe's Empery. Ed. Sara M. Deats and Robert A. Logan. Cranbury, NJ: University of Delaware Press, 2002. 25-42.

"Filling Fare: The Appetite for Current Issues and Traditional Froms in the Repertory of the Chamberlain's Men." Medieval and Renaissance Drama in England 15 (2002): 57-76.

"Two Playhouses, Both Alike in Quality." Shakespeare Studies 30 (2002): 111-17.

"Pembroke's Men in 1592-3, Their Repertory and Touring Schedule," in "Reading Acting Companies," by Scott McMillin, Early Theatre 4 (2001): 129-38.

"Playing Companies and Repertory." In A Companion to Renaissance Drama. Ed. Arthur F. Kinney. Oxford: Blackwell Publishers, 2002. 180-92.

"Histrio-Mastix: Not by John Marston," Studies in Philology 98.3 (2001): 359-77.

"Shakespeare's Repertory." In A Companion to Shakespeare. Ed. David Scott Kastan. Oxford: Blackwell Publishers Ltd, 1999. 346-61.

"The Repertory." In A New History of Early English Drama. Eds. John Cox and David Kastan. New York: Columbia University Press, 1997. 461-80.

"Elizabethan Documents, Captivity Narratives, and the Market for Foreign History Plays," English Literary Renaissance 26.1 (1996): 75-110.

"Falconer to the 'Little Eyases': A New Date and Commercial Agenda for the 'Little Eyases' Passage in Hamlet." Shakespeare Quarterly, 46.1 (1995): 1-31.

"A Caliban in St. Mildred Poultry," in Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1993. Ed. Tetsuo Kishi and others. Newark, NJ: Delaware University Press, 1994. 110-26.

"Telling the Story of Shakespeare's Playhouse World," Shakespeare Survey 44 (1992): 145-56.

"The Commercial Significance of Payments for Playtexts in Henslowe's Diary, 1597-1603." Medieval & Renaissance Drama in England (1991): 117-63.

"Evidence for the Assignment of Plays to the Repertory of Shakespeare's Company." Medieval & Renaissance Drama in England (1989): 63-89.

"'Intertextuality at Windsor': A Rejoinder." Shakespeare Quarterly, 39 (1988): 391-93.

"Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus." English Literary Renaissance, 18 (1988): 257-74.

"Henslowe's Diary and the Economics of Play Revision for Revival, 1592-1603." Theatre Research International, 10.1 (1985): 1-18.

"Play Identifications: The Wise Man of West Chester and John a Kent and John a Cumber; Longshanks and Edward I." Huntington Library Quarterly, 47 (1984): 1-11.

"Henslowe's Naming of Parts: 1 and 2 Tamar Cham and 1 and 2 Godfrey of Bulloigne." Notes and Queries, NS 30 (1983): 157-60.