Aspects of Form and Style
(back to syllabus)
1. Ovid's Metamorphoses
- Graphic description (visual, physical detail, active verbs)
- balance and repetition
- Rhetorical devices: rhetorical speech, hyperbole (exaggeration, overstatement),
teasing of reader: "what follows is too horrible "
- Humor: fun with authority ("Who would believe it ?"); grim
joking
- Mixture of opposites: sentiment and violence
- Irony
2. Gilgamesh
3. The Jew of Malta and The Merchant of Venice
- Rhyme and meter (see also the literary devices below)
- stanzaic form (I include this because a lot of poems are in stanza
form; our plays, however, were not; they were in a form called blank verse
[that is, unrhymed iambic pentameter])
4. Prose: the novels
- Plain prose style: relatively simple sentence structure and vocabulary;
relatively few literary devices such as alliteration, similes, metaphors,
and allusions)
- Fancy prose style: elaborate sentence structure, Latinate vocabulary,
lots of literary devices
5. Common literary devices (add to all the others above such as repetition,
parallelism, irony, rhetorical devices, graphic description, etc.)
- Alliteration (the repetition of consonant sounds: fair , foul; sweet sorrow;
wild wilderness)
- Simile and metaphor
(comparison of A & B: metaphor: "the fever was a tempest, raging wildly" [add
"like" or "as," and you change a metaphor into a simile: "the fever raged
wildly, like a tempest"
- Allusion: reference to a familiar, often old literary or historical person
or event ("I'm not Prince Hamlet, nor was meant to be")
- Word play (puns, word games, fake/silly/foreign words, etc.)