Viola Frey Sculpture Joins Art Collection at UA Little Rock Windgate Center

The University of Arkansas at Little Rock has added to its art collection a towering sculpture by famed artist Viola Frey.

An amazing work by a pioneering giant in the ceramics and contemporary craft field, Thinking Woman — a permanent collection gift and semi-permanent installation — is 1,600 pounds and assembled from 16 pieces, according to Brian Young, Windgate Center for Art + Design gallery director. A gift of Dr. Kirby and Priscilla Smith, of Memphis, the ceramics piece from 1993 welcomed students to the center as the new school year began last month, and it “reinforces an area of emphasis we teach” in the School of Art and Design — contemporary craft, including ceramics. 

Frey — the recipient of two National Endowment for the Arts fellowships and the Award of Honor in Sculpture from the San Francisco Arts Commission, among many other recognitions — was one of several California artists working in clay in the 1950s and 60s who turned away from that medium’s conventions to produce works with robust sculptural qualities associated with Abstract Expressionist painting, Pop art, and what would become known as California Funk, according to the Artists’ Legacy Foundation, of which Frey was a co-founder. She taught at California College of Arts and Crafts (now CCA) for over three decades, influencing generations of young artists and formalizing the use of clay as an artistic medium, prior to her 2004 death at age 70.

Frey and artists of her ilk didn’t want to abandon the figure for complete abstraction, but they also felt ceramics didn’t have to be only utilitarian, Young said. “I love the idea of clay in a non-utilitarian way — the glazes and colors look imperfect on purpose” — imperfection is embraced.

Multiple layers of brightly colored glazes are crucial for Frey’s work.

“I want the figures to get as close to the viewer as possible,” Frey noted in an Artist Statement. “I don’t want them to crush or overwhelm, but I do want them to intrude.” 

Thinking Woman “has a real presence — she knocks you back a little bit — but it’s a quiet presence,” said Young. “She’s not looking at you — her eyes are closed — and she’s thinking,” à la The Thinker, by Auguste Rodin, “but still powerful.” 

Kirby Smith possessed the work for more than three decades, so he had a strong connection to the piece, and considered various museum venues.

“For 35 years, I had a satellite practice as a physician in Blytheville, so I am happy that Thinking Woman found a home in the state that I care so deeply for,” he said. “Her size shows there is no limit to the technical part of the medium of ceramics and the artist. Also, Thinking Woman is a great name for her.” 

Frey, who received her BFA and honorary doctorate from CCA, had her work spotlighted by a solo show at the now-Arkansas Museum of Fine Arts in 2011, Young noted. In addition to a piece on display at that Little Rock arts museum, her work is also held in numerous public and private collections, including the Musée d’Art Moderne de Paris (Paris Museum of Modern Art), Smithsonian American Art Museum (Washington, D.C.), the Whitney Museum of American Art (New York City), the Museum of Fine Arts, Houston, and the Los Angeles County Museum of Art, among many others.

Art on display in the Windgate Center is designed to inspire students, and Thinking Woman is inspirational in several ways, Young said. It’s a female figure by a female artist, she did the work at an advanced age — demonstrating it’s never too late to create art — and it shows the possibilities of ceramics, even at large scale.

Furthermore, Frey found her own personal style, crucial for any artist, noted Young. “If you’re across a room, you can identify a Frey” piece.

Individuals are welcome to view Thinking Woman — as well as other art — at the Windgate Center, which is open from 9 a.m. to 5 p.m. Monday-Friday, as well as 11 a.m. to 2 p.m. on weekends. The galleries are free and open to the public. 

Currently, Todd Hido: A Series of Small Decisions and Invictus: Photographs by Angela Strassheim are exhibited in the Brad Cushman Gallery and Ann Maners and Alex Pappas Gallery, respectively. Hido’s photographs often highlight stark landscapes and lonely buildings, while Strassheim’s exhibit reflects the shared experience of “moving through life in a body always changing, and always carrying multiple selves at once,” according to her Artist Statement. 

“We try to do exhibits that match areas we teach” and that demonstrate output of professionals in the field so students can see paths to their own artistic careers, and both exhibitions accomplish those aims, Young said. They’re also a felicitous match with next month’s Society for Photographic Education (SPE) South Central Chapter Conference Oct. 23-24 at the Windgate Center. 

In addition, the North and South galleries are exhibiting Intersection of Craft and Photography, while the SPE members juried exhibition is on display in the Focus Gallery. More details and information can be found in this news article about fall exhibitions.

“We’re trying to be the center of contemporary photography, at least for a few months,” Young said. “We’re very grateful for all the support we receive from Windgate, and I love when students, (teachers), and members of the public walk in to see” the art on display.